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Artists

Eliane Saheurs

By | Artists

Eliane Saheurs was born in Thun, Switzerland. Before realizing that painting was the challenge for which she was searching, Saheurs did photographic work, including studies of landforms, an influence now evident in her painting.
Saheurs began art studies in 1985 at Algonquin College, Ottawa, and continued at the Ottawa School of Art to 1995, working mainly with Michel Savage, Blair Sharpe, Kathy Gillis, Jeff Stellick and Susan Feindel. She also studied with Frank Webb from Pittsburgh, Lynn Forgach from New York, Toshihisa Fudezuka from Tokyo and Virginia Cobb from Santa Fe. and completed a residency at the Contemporary Artists Center, North Adams, MA. She has worked in New Mexico, France and Crete.
Saheurs has lived in Ottawa, Ontario, since 1984.

Eliane Saheurs est née en Thun, Suisse. Avant qu'elle s'est rendu compte que la peinture était le défi qu'elle cherche, Saheurs faisait de la photographie, incluant les études des formes du relief, une influence maintenant claire dans ses peintures.
Saheurs a commencé ses études d'art l'an 1985 au Collège Algonquin, Ottawa et a continué à l'École d'Art Ottawa jusqu'au 1995, travaillant principalement avec Michel Savage, Blair Sharpe, Kathy Gills, Jeff Stellic et Susan Feindel. Elle a aussi étudié avec Frank Webb du Pittsburgh, Lynn Forgach de New York, Toshihisa Fudezuka de Tokyo et Virginia Cobb de Santa Fe. et a complété un internat au Centre des Artistes Contemporaine, Noth Adams, MA. Elle a travaillé en Nouveau Mexique, France et Crète.
Elle vivait à Ottawa depuis 1984.

Angela Verlaeckt Clark

By | Artists

Angela is an Ottawa-based, international, multidisciplinary fine artist and poet.Living in Canada, the UK and the USA, Angela’s life has always been one of movement, both geographically and artistically. A passion for sculpting led her from clay to stone and from representational to abstract; from the Maison du Potier in Québec City, to the Ottawa School of Art, to the Sculpture Academy in London, UK and ultimately to a residency in Italy with a master in 2004.
A Canadian abstract artist, she produces enduring, tactile, elegant stone sculptures. Angela senses a deep past in her ancient stones and though both artist and stone have separate memories, her objective is to bring them into dialogue during the sculpting process. During that dialogue when she feels the stone’s tangible energy and power, a rare bond is forged. This most compelling component of her art inspires a poem to complement each sculpture.

"I believe that carefully crafted objects have the power to inspire, elevate and they retain the pulse of their maker."

Angela’s new glass art works 

“WHERE DO THE CLOUDS END?”

 

 

I believe artworks retain the pulse of their maker…and, always want to know the Artist’s story, their ‘why’ for creating a piece.

 

And so, I tell my story.

As a child. magic always seemed to happen when I was looking up: from the back seat of my dad’s car or sitting on my red painted swing set, with my head back and toes pointed skyward, dreaming my dreams. My sweetest memory is laying on warm summer grass while my grandfather indulged my every imagining. I fashioned stories around the images I saw in the cloud shapes, as they moved across the sky above.

I took pictures, drew clouds and vowed one day to paint them in all their glory. That day recently arrived, and I began this limited-edition series of painting on glass.

I start by choosing one of my saved images and lining my worktop with special powdered glass enamels selected for the piece. The powdered enamel is mixed with a medium for fluidity. To achieve variances in colour – darker, lighter, I add other powders to the original mix. I also combine powders – to produce versions to the initial enamels, much like you do with any other type of paint. The glass is meticiously cleaned before beginning to paint with the enamels, all oil residue is removed. Fingers touching the glass or any marks at all, will stop the enamel from adhering to the surgace and will lift during the firing. 

Magic happens with each brush stroke and by alternating sponge techniques. I trust the process, and atmospheric, moody cloudscapes appear over the landscape painted beneath. Once I lay down the initial colours, the artwork is fired in a kiln at upwards of 1300 F, for about six hours. Then the enameled glass cools slowly overnight in the closed kiln, until the temperatures falls below 100 F. I return the glass to my work surface, and the painting process continues. I apply more enamel, and the glass repeats its journey through the kiln with a cheery ‘see you in the moring!’ I always ask the kiln gods to be kind. If changes are needed more paint layers are added and it is fired a third time and cooled. Each firing takes approximately 16 hours in total, including the cool-down. 

Opening the kiln, my heart flutters with anticipation; what was once a flat, chalky-looking painted surface has transformed. The colours are deeper, the paint is glossy – it’s absolute magic! 

Congratulations to Angela for her feature in Costco Connection!

Renée Gagné

By | Artists

Renée Gagné was born and raised in Sturgeon Falls, Ontario. From a young age, her daily life was filled with art. Through her mother’s diverse ventures in painting, wood sculpting, macramé, ceramics and sewing, Gagné was instilled with an immense interest and appreciation of art.
After completing her degrees in nursing and psychology, Gagné returned to painting, taking workshops in oil, watercolor and acrylic. In addition to jewellery-making, her passion for painting offers an escape; through the precision and attention to detail required of her practice, the stresses of work and daily life fall away. Her artistic journey has been one of experimentation, but focused on realising her own unique charm.
In late 2019, Gagné’s first solo juried exhibition at Shenkman Arts Centre in Orleans met with great success! Clearly discernable, Gagné’s style evokes an appreciation for beauty, vibrant colour, and whimsical composition. She looks forward to retirement, so she may devote more time to her art, and perfecting her style. Her goal, “is to evoke an emotion and a smile by the magical beauty of the bright colors in my paintings.”

Edmond Léger

By | Artists

"Music has been an emotion that I have nurtured all my life. There has always been a duality in my music. First, there is the mathematical grammar that allows me to join notes together to achieve a logical sequence. Second, there is the unexplainable connection that comes when the grammar evolves into a discussion of thoughts, a sense of being.
Being mostly self-taught as far as my music and painting are concerned, I
continue to discuss these thoughts with my abstracts. There is always a rhythm that occurs while I paint. Musical notes appear as if I am writing a score, playing, painting the grammar on my canvas. Improvisation allows the logical to become liberated.
Music is a bridge that we have been exploring for thousands of years. This
bridge between knowing and understanding is what I try to achieve with color. It is
not the need to do that I wish to explore but more the need to feel this connection, share my music in a most intimate way. My paintings are a reflection of my improvisation, my connection with the unexplainable and the grammar. This place that I understand without being able to explain it but rather having no need to..."

Arlette Francière

By | Artists

"I have always been passionate about poetry and art. My career as a translator fulfills my literary interest. Art became even more central to my life when I studied Art History at Concordia University in Montreal. One course dealt with a variety of techniques, and students had to copy a work of art in each medium. That hands-on experience was a turning point, and I have been painting ever since. I have studied with Alfred Pinsky, Leonard Gerbrandt and Andrea Mossop, among others.
I am attracted to landscape painting, especially to the work of the Expressionists. Inspired by memories of dramatic landscapes, I let strong colours, bold shapes and intriguing rhythms guide me. In the process, my paintings become inner landscapes that express states of mind, or emotions, instead of reproducing an external landscape.
I enjoy working in oil, acrylic and charcoal, but I have a strong affinity for watercolour and the ‘wet in wet’ technique. It harks back to my fascination as a child creating soap bubbles between my fingers and marvelling at the patterns of swirling colours. That same wonder is there for me when I paint in watercolour.
My predominant and most characteristic theme is abstracted landscape, but my work also includes portraits, flowers and pure abstract art. I am a colourist who always tries to embody the mystery behind the façade.
I have had numerous solo and group shows and my work is in private collections in Canada and abroad. My paintings have been used on the cover of eighteen books, most of them collections of poetry."

Renée Butler

By | Artists

Renée Butler was born and raised in Trenton, Nova Scotia, and now reside between Québec and Newfoundland, moving seasonally. She is largely a self-taught artist, but has, over the years, studied with several other artists.
Butler's art resides in many private collections in Canada, including the NL Government’s private collection, as well as in Europe. Notably, her work was featured on CBC’s television program Land & Sea!

“I love light and the effects it has on the most mundane objects. You can take the most ordinary thing, and with the correct light you can make it mesmerizing. I try to absorb as much detail as possible when looking at everyday objects and I especially love painting still-life's. I enjoy bringing them to life on my canvas and hope to capture the beauty that I witness for everyone else to experience as well.”

Theresa Eisenbarth

By | Artists

Theresa Eisenbarth is a unique visual storyteller. She uses her unusual acrylic visual art to tell the elusive stories of Canadian neighbourhoods and old communities. These outdoor urbanscapes and prairie spaces have diverse histories and often go unnoticed. Her artwork incorporates the sights, sounds and aromas of today, mixed with a re-imaging of those impressions from the past. Her use of vibrant colours, and of non-traditional materials, brings an arresting quality to her paintings.
Theresa is a full time artist based in Medicine Hat, AB. She grew up in
the historic River Flats neighbourhood, and has spent her artistic career capturing the places she remembers as a child. Theresa studied visual arts at the Medicine Hat College and received a B.F.A. from the University of Calgary.
Her paintings are in many private and corporate collections across Alberta. They have been featured in the Federation of Canadian Artists Group Exhibits, are sold locally in Medicine Hat and now, Ottawa.

"Vivid, bold colours inspire me and allow me to re-imagine these spaces. I entice my viewers to take a second
look by embedding stories into stories, adding household objects like tinfoil, string, and door hardware to create substance and texture on the paint surface”

John Alexander Day

By | Artists

Plein air painting has been the main source of inspiration for all of John Alexander Day’s artwork. Whether a cityscape or the countryside, Day has always sought to capture the atmosphere of each location he paints. Whether he paints in North America, Europe, or closer to home, he always seeks to leave the viewer with a sense of being in the place. Witnessing nature first hand, and working right there, gives Day a certain freedom to paint without any preconceived notions. In this way, he is not bound by the formulas that can easily creep into one’s work. Day is especially drawn to the effects of light and atmosphere. An overcast or sunny day, the changing light, the sound of the ocean spray against rock, or the quiet waters of a lake keep him motivated and infuse his practice. In his own way, Day hopes to continue the tradition of making the viewer look again at what might be an ordinary scene, transformed through light and atmosphere.

Linda Bergeron Baril

By | Artists

Linda Bergeron Baril was from the Mauricie Region of Quebec. Bergeron Baril was largely a self-taught artist. She dedicated herself full-time to her passion—painting. She was constantly progressing on her artistic journey by participating in various workshops, including at the ICSCIS school in Tuscany, Italy and Slikamilina Painting Tours in Croatia. Over the years, she had acquired a plethora of plein air painting experience by joining groups such as Plein Air Ensemble Ottawa. Bergeron Baril had travelled extensively and lived in many places, including Québec, Toronto, Dartmouth, St-Jean-sur-le Richelieu, Germany and France. She resided in the picturesque town of Pontiac in the Outaouais Valley. With her studio located on the banks of the Ottawa River, she was constantly inspired by her surroundings.
Throughout her practice, Bergeron Baril employed numerous techniques, including alla prima, impasto, sgraffito, and scumbling. She worked in a range of media, including oils, watercolours, felt pen, acrylics, and oil pastels. And throughout this diverse practice, Bergeron Baril had developed a unique style, in which her lines flow loosely with expressive spontaneity and grace. Through Bergeron Baril’s vibrant and intricate layering of colours, one can feel her joie de vivre and romantic penchant.
Her work has been displayed in numerous galleries in Ottawa, Montréal, and Québec City. Numerous pieces of her work hang in private collections all over Canada, the United States, Europe and Asia. Notably, in December 2017, Bergeron Baril was part of the Canadian Delegation of International Artists that exhibited at the Carrousel du Louvre in Paris. She has been awarded the 2003 "Favourite of the Jury" prize in Gatineau, and the 2009 "Public Choice Award," also in Gatineau, which was highlighted in the following newspapers: Le Droit, The Citizen, The Equity and the Pontiac Journal.

Jim Leach

By | Artists

Jim Leach's interest in art was inspired by his grandfather, who was a landscape artist in Québec. This, combined with his love of the countryside and nature, has created a passion for landscape painting that allows Leach to express the beauty of the natural world through his art work. Leach's landscape paintings employ a bold, impressionistic style. He uses vibrant colours to express the rich beauty of the Canadian landscape. Leach is continually inspired by the works of Tom Thomson, The Group of Seven and René Richard. His landscape paintings are primarily scenes from the Eastern Townships region of Québec and the Ottawa/Gatineau area. He is predominately a plein air painter and enjoys the solitude of painting in situ. Even if he is without his paints, Jim always travels with a sketch book: "I seem to be able to recollect where and when each sketch was done and what the weather conditions were at the time."
Jim Leach and his wife Carol live in Ottawa and have a son, Gregory, daughter, Andrea, two granddaughters Noelle and Amelia, and a dog named Mazy.

"Painting landscapes is a wonderful medium to allow one to appreciate the hidden colours that can be found in nature."